14 June 2022
(Until 14 June)Tony Bennett – Phantom Dancer 14 Jun 2022
Greg Poppleton's Phantom Dancer swing jazz radio show
Tony Bennett, singer, is this week’s Phantom Dancer feature artist. You’ll hear him and his music in a 1955 interview. Bennett has released over 70 albums during his career. The biggest selling of these in the U.S. have been I Left My Heart in San Francisco, MTV Unplugged: Tony Bennett, and Duets: An American Classic, all of which went platinum for shipping one million copies. Eight other albums of his have gone gold in the U.S. Bennett also charted over 30 singles during his career.
The Phantom Dancer is your weekly non-stop mix of swing and jazz from live 1920s-60s radio and TV every week.
LISTEN to this week’s Phantom Dancer mix (online after 2pm AEST, Tuesday 14 June) and two years of Phantom Dancer mixes online at, at https://2ser.com/phantom-dancer/
EARLY YEARS & WAR
At age 10, Tony Bennett sang at the opening of the Triborough Bridge in New York City, standing next to Mayor Fiorello La Guardia who patted him on the head.
He began singing for money at age 13, performing as a singing waiter in several Italian restaurants around his native Queens.
Drawing was another early passion and he saw himself having a career in commercial art. He attended New York’s School of Industrial Art studying painting and music . He later appreciated their emphasis on proper technique.
He dropped out at age 16 to help support his family and worked as a copy boy and runner for the Associated Press in Manhattan
He then set his sights on a professional singing career, returning to performing as a singing waiter, playing and winning amateur nights all around the city, and having a successful engagement at a Paramus, New Jersey, nightclub
As an infantryman in the US Army from 1944 during World War 2 in Germany, Tony Bennett narrowly escaped death in combat several times. The experience made him a pacifist. He later wrote, “Anybody who thinks that war is romantic obviously hasn’t gone through one…It was a nightmare that’s permanent. I just said, ‘This is not life. This is not life.'” At the war’s end he was part of the liberation of a Nazi concentration camp near Landsberg.
Upon his discharge from the Army and return to the States in 1946, Tony Bennett studied at the American Theatre Wing on the GI Bill. He was taught bel canto singing which has kept his voice in good shape for his entire career.
NEW AUDIENCE
Around 1990, Tony’s son, Danny Bennett, (who you will hear as a 17 month old in the 1955 Tony Bennett interview in this week’s Phantom Dancer) felt that younger audiences who were unfamiliar with his father would respond to his music if given a chance. No changes to Tony’s formal appearance, singing style, musical accompaniment or song choice (generally the Great American Songbook) were necessary or desirable.
Danny began regularly to book his father on Late Night with David Letterman, a show with a younger, “hip” audience. This was subsequently followed by appearances on Late Night with Conan O’Brien, The Simpsons, Muppets Tonight, and various MTV programs.
In 1993, Bennett played a series of benefit concerts organized by alternative rock radio stations around the country. The plan worked; as Tony later remembered, “I realized that young people had never heard those songs. Cole Porter, Gershwin – they were like, ‘Who wrote that?’ To them, it was different. If you’re different, you stand out.”
Bennett was seen at MTV Video Music Awards shows side by side with the likes of the Red Hot Chili Peppers and Flavor Flav, and as his “Steppin’ Out with My Baby” video received MTV airplay, it was clear that, as The New York Times said, “Tony Bennett has not just bridged the generation gap, he has demolished it. He has solidly connected with a younger crowd weaned on rock. And there have been no compromises.”
His 1994 MTV Unplugged: Tony Bennett album went platinum and, besides taking the Best Traditional Pop Vocal Performance Grammy award for the third straight year, also won the top Grammy prize of Album of the Year.
TECHNIQUE
Bennett had no intention of retiring until his announcement on stage in 2021, saying that he had to retire due to health reasons. He was 95.
Refering to artists like Pablo Picasso, Jack Benny, and Fred Astaire, Bennett said “right up to the day they died, they were performing. If you are creative, you get busier as you get older.”
Regarding his choices in music, Bennett stated his artistic stance in a 2010 interview:
“I’m not staying contemporary for the big record companies, I don’t follow the latest fashions. I never sing a song that’s badly written. In the 1920s and ’30s, there was a renaissance in music that was the equivalent of the artistic Renaissance. Cole Porter, Johnny Mercer and others just created the best songs that had ever been written. These are classics, and finally they’re not being treated as light entertainment. This is classical music.”
14 JUNE PLAY LIST
Play List – The Phantom Dancer | ||
107.3 2SER Tuesday 14 June 2022 | ||
Set 1 | Ben Burnie – Music While You Work | |
It’s a Lonesome Old Town (theme) + The Army Air Corp | Ben Bernie Orchestra | ‘War Workers’ Program’ relayed to CFRB Toronto Canada 31 Aug 1942 |
The Singing Sands | Ben Bernie Orchestra (voc) Jack Fulton | ‘War Workers’ Program’ relayed to CFRB Toronto Canada 31 Aug 1942 |
Put-Put-Put-Put-Put Your Arms Around Me | Ben Bernie Orchestra (voc) The King’s Jesters | ‘War Workers’ Program’ relayed to CFRB Toronto Canada 31 Aug 1942 |
Arthur Murray Taught Me Dancing in a Hurry + Rosalie + Close | Ben Bernie Orchestra (voc) Gail Robbins | ‘War Workers’ Program’ relayed to CFRB Toronto Canada 31 Aug 1942 |
Set 2 | Sauter-Finnegan | |
Open + Liza | The Sauter-Finnegan Orchestra | ‘Guest Star’ Radio Transcription New York City 9 Jun 1957 |
Midnight Sleighride | The Sauter-Finnegan Orchestra | ‘Guest Star’ Radio Transcription New York City 9 Jun 1957 |
April in Paris | The Sauter-Finnegan Orchestra (voc) Anita Darian | ‘Guest Star’ Radio Transcription New York City 9 Jun 1957 |
Doodle Town Fifers + Close | The Sauter-Finnegan Orchestra | ‘Guest Star’ Radio Transcription New York City 9 Jun 1957 |
Set 3 | Smooth Music | |
Song of the West (theme) + Hooray for Love | Caesar Petrillo and the CBS Orchestra (voc) Elaine Rodgers | ‘The Chicagoans’ WBBM CBS Chicago 10 Apr 1950 |
Dancing in the Dark + Old Pal | Caesar Petrillo and the CBS Orchestra | ‘The Chicagoans’ WBBM CBS Chicago 10 Apr 1950 |
Black Lace | Caesar Petrillo and the CBS Orchestra (voc) Lon Saxon | ‘The Chicagoans’ WBBM CBS Chicago 10 Apr 1950 |
Happy Times + Song of the West (theme) | Caesar Petrillo and the CBS Orchestra (voc) Elaine Rodgers | ‘The Chicagoans’ WBBM CBS Chicago 10 Apr 1950 |
Set 4 | Tony Bennett | |
Who Wants My Bublinsky? (theme) + Open | Howard Miller | ‘Howard Miller Show’ WBBM Chicago 30 Aug 1955 |
Because of You | Tony Bennett | ‘Howard Miller Show’ WBBM Chicago 30 Aug 1955 |
Interview | Tony, Sandy & Danny Bennett | ‘Howard Miller Show’ WBBM Chicago 30 Aug 1955 |
May I Never Love Again + Close | Tony Bennett | ‘Howard Miller Show’ WBBM Chicago 30 Aug 1955 |
Set 5 | 1930s-40s Swing | |
Cotton Pickers’ Congregation | Russ Morgan Orchestra | Paradise Restaurant NYC 14 Oct 1938 |
Down South Camp Meeting | Benny Goodman Orchestra | Madhattan Room Hotel Pennsylvania NYC 20 Nov 1937 |
Boogie Woogie Lullaby | Ted Fio Rito Orchestra (voc) Madeline Mahoney | Naval Air Station Banana River FL 12 Aug 1945 |
Flying Home | Will Bradley Orchestra | Famous Door New York City 21 Feb 1941 |
Set 6 | Harmonists | |
For You | King Sisters | Radio Transcription Los Angeles 1947 |
Blues in the Night | Trio (voc) Jimmie Lunceford Orchestra | ‘Spotlight Bands’ Jefferson Barracks MI Mutual Network 23 Nov 1945 |
Just Squeeze Me | King Sisters | Radio Transcription Los Angeles 1947 |
Heebie Geebie Blues | Boswell Sisters | ‘Woodbury Program’ KNX CBS LA 18 Sep 1934 |
Set 7 | Jimmy Dorsey | |
Contrasts (theme) + Jug Music | Jimmy Dorsey Orchestra | Aircheck 20 Oct 1941 |
Hit the Note | Jimmy Dorsey Orchestra | Palladium Ballroom KNX CBS LA 5 Sep 1943 |
Dixieland Detour | Jimmy Dorsey Orchestra | Meadowbrook Ballroom Cedar Grove NJ WABC CBS NY 5 Oct 1939 |
Saturday Night | Jimmy Dorsey Orchestra (voc) Patti Thomas | ‘Spotlight Bands’ 11 Feb 1945 |
Set 8 | Bop 1949 | |
Tiny’s Blues | Chubby Jackson Orchestra | ‘Symphony Sid Show’ Royal Roost WMCA NYC 5 Mar 1949 |
I’m Forever Blowing Bubbles | Jackie Kane & Roy Kral | ‘Symphony Sid Show’ Royal Roost WMCA NYC 1949 |
Father Knickerbocker | Chubby Jackson Orchestra | ‘Symphony Sid Show’ Royal Roost WMCA NYC 5 Mar 1949 |