03 October 2023
(Until 03 October)The Revelers 1920s Radio Pioneers
Greg Poppleton's Phantom Dancer swing jazz radio show
THe Revelers were an American quintet (four close harmony singers and a pianist) popular in the late 1920s and early 1930s. They made the first known record of “I’ve Been Working on the Railroad” in 1923 and are this week’s Phantom Dancer feature artist.
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The Phantom Dancer is your weekly non-stop mix of swing and jazz from live 1920s-60s radio and TV every week.
LISTEN to this week’s Phantom Dancer mix (online after 2pm AEST, Tuesday 3 October) and weeks of Phantom Dancer mixes online at, at https://2ser.com/phantom-dancer/
THE REVELERS
The Revelers’ recordings of “Dinah”, “Old Man River”, “Valencia”, “Baby Face”, “Blue Room”, “The Birth of the Blues”, “When Yuba Plays the Rhumba on the Tuba”, and many more, were popular in the United States and then Europe in the late 1920s.
In August 1929, they appeared in the Netherlands with Richard Tauber at the Kurhaus, Scheveningen and the Concertgebouw, Amsterdam.
All of the members had recorded individually or in various combinations.
The quartet, organized in 1917, performed under the name The Shannon Four or The Shannon Quartet before changing their name to The Revelers in 1925.
The original Revelers were tenors Franklyn Baur and Lewis James (and occasionally Charles W. Harrison substituting when Baur or James was unavailable), baritone Elliot Shaw, bass Wilfred Glenn (who had popularized “Asleep in the Deep” on records), and pianist Ed Smalle. Smalle was replaced by Frank Black in 1926.
The Revelers (with Black at the piano) appeared in a pioneer movie musical, The Revelers (1927), filmed in Warner Bros.’ sound-on-disc Vitaphone process which you can watch below.
The group performed the entire nine-minute set in one continuous, uninterrupted take, with the camera in a fixed position. A second short, filmed the same day with another three songs, awaits restoration.
Franklyn Baur was replaced by Frank Luther and then James Melton (later a Metropolitan Opera tenor).
The Revelers were stars on radio and in vaudeville, as well as in the recording studio. On radio they were regulars on The Palmolive Hour (1927–31).
They had recording contracts with Columbia Records and Victor (later RCA Victor) but made extra money by moonlighting under pseudonyms.
Columbia promoted them as The Singing Sophomores and Brunswick Records called them The Merrymakers.
The group also adopted the names of their radio sponsors: The Eveready Revelers, The Palmolive Revelers, The Seiberling Singers, The General Motors Brigadiers, and The Raleigh Rovers.
Although The Revelers stayed current, making a point of including the latest popular songs and show tunes in their repertoire, their sound seemed increasingly old-fashioned. Their listening audience gravitated toward the top soloists of the early 1930s, like Bing Crosby, Arthur Tracy, and Russ Columbo.
James Melton left the group in 1933 to embark on a concert career.
The last Revelers record for Victor was released in January 1934, after which Lewis James and Elliot Shaw left.
Senior member Wilfred Glenn continued to make live appearances with a male chorus billed as The Revelers. The group returned to the recording studio only once, to record a program of 10 traditional religious songs for Decca in 1938.
Frank Black became prominent as Dr. Frank Black, music director at NBC and recording-company executive.
James Melton’s CBS network radio program, Harvest of Stars, brought back Lewis James, Elliot Shaw, Wilfred Glenn, and Frank Black for a Revelers reunion on April 11, 1948.
The German group The Comedian Harmonists formed in 1927 after hearing some records of The Revelers. According to Douglas Friedman’s book The Comedian Harmonists (2010), both groups appeared on the same bill at the Scala in Berlin in August 1929 and became good friends.
3 October PLAY LIST
Play List – The Phantom Dancer 107.3 2SER-FM Sydney LISTEN ONLINE Community Radio Network Show CRN #619 | ||
107.3 2SER Tuesday 3 October 2023 | ||
Set 1 | Russ Morgan Orchestra | |
Does Your Heart Beat For Me (theme) + Doin’ the Prom | Russ Morgan Orchestra | Trocadero KHJ Mutual – Don Lee LA AFRS Re-broadcast 3 Sep 1945 |
Cuddle | Russ Morgan Orchestra (voc) Russ Morgan | Trocadero KHJ Mutual – Don Lee LA AFRS Re-broadcast 3 Sep 1945 |
The Cakewalk | Russ Morgan Orchestra | Trocadero KHJ Mutual – Don Lee LA AFRS Re-broadcast 3 Sep 1945 |
I Can’t Believe It But It’s True | Russ Morgan Orchestra (voc) Margery Lee | Trocadero KHJ Mutual – Don Lee LA AFRS Re-broadcast 3 Sep 1945 |
Set 2 | Western Swing | |
Open + Dinah | Lightcrust Dough Boys (voc) Bashful | ‘Lightcrust Flour Show’ KTHS Hot Springs Arkansas 30 Apr 1936 |
Limehouse Blues | Lightcrust Dough Boys | ‘Lightcrust Flour Show’ KTHS Hot Springs Arkansas 30 Apr 1936 |
Leave the Pretty Girls Alone | Lightcrust Dough Boys (voc) Buddy | ‘Lightcrust Flour Show’ KTHS Hot Springs Arkansas 30 Apr 1936 |
Lightcrust Flour Song (close) | Lightcrust Dough Boys | ‘Lightcrust Flour Show’ KTHS Hot Springs Arkansas 30 Apr 1936 |
Set 3 | The Revelers | |
Open + Dinah + The Merry-Go-Round Broke Down | The Revelers (piano) Frank Black | ‘The Magic Key’ WJZ NBC Blue 3 Jul 1937 |
Lindy Lou | The Revelers with Frank Black and Orchestra | ‘The Magic Key’ WJZ NBC Blue 3 Jul 1937 |
Talking Through My Heart | Frank Black and the Magic Key Orchestra | ‘The Magic Key’ WJZ NBC Blue 3 Jul 1937 |
Stars and Stripes Forever + Close | The Revelers, Frank Black and the Magic Key Orchestra, the Edwin Franco Goldberg Band | ‘The Magic Key’ WJZ NBC Blue 3 Jul 1937 |
Set 4 | Shep Fields all Reed and Rhthym Swing | |
Open + Is You Is or Is You Ain’t My Baby | Shep Field and his New Music (voc) Tommy Lucas | ‘One Night Stand’ Copacabana NYC AFRS Re-broadcast 9 Aug 1944 |
A Kiss to Remember | Shep Field and his New Music (voc) Meredith Blake | ‘One Night Stand’ Copacabana NYC AFRS Re-broadcast 9 Aug 1944 |
16:00 On The Clock + Harlem Nocturne | Shep Field and his New Music | ‘One Night Stand’ Copacabana NYC AFRS Re-broadcast 9 Aug 1944 |
Copaca Boogie | Shep Field and his New Music (voc) Meredith Blake and Band | ‘One Night Stand’ Copacabana NYC AFRS Re-broadcast 9 Aug 1944 |
Set 5 | Cab Calloway | |
Minnie the Moocher (theme) + Rhythm Cocktail | Cab Calloway Orchestra | ‘One Night Stand’ Club Zanzibar NYC AFRS Re-broadcast 16 Jul 1946 |
Kabla | Cab Calloway Orchestra | ‘One Night Stand’ Club Zanzibar NYC AFRS Re-broadcast 16 Jul 1946 |
The Great Lie | Cab Calloway Orchestra | ‘One Night Stand’ Club Zanzibar NYC AFRS Re-broadcast 20 Jul 1945 |
Rosemary | Cab Calloway Orchestra | ‘One Night Stand’ Club Zanzibar NYC AFRS Re-broadcast 20 Jul 1945 |
Set 6 | Australian Trad Jazz | |
Unreasonable Woman’s Blues | The Southern Jazz Group | Comm Rec Sydney 1 Jun 1950 |
Tiger Rag | Graeme Bell | 3AW Melbourne 1949 |
Emu Strut | The Southern Jazz Group | Comm Rec Sydney 1 Jun 1950 |
I Can’t Sleep | Graeme Bell | 3AW Melbourne 1949 |
Set 7 | Cocoanut Grove | |
Me | Gus Arnheim Orchestra (voc) Dave Marshall and Loyce Whiteman | Radio Transcription Los Angeles 1931 |
Sugar | Jimmy Grier Orchestra | Radio Transcription Los Angeles 1932 |
Under the Palms | Gus Arnheim Orchestra (voc) Donald Novis | Radio Transcription Los Angeles 1931 |
You Knew You’d Hurt Somebody | Jimmy Grier Orchestra (voc) Margaret Lawrence | Radio Transcription Los Angeles 1932 |
Set 8 | Modern Jazz | |
This Can’t Be Love | Dave Brubeck | Aircheck Jan 1954 |
Intro + The Duke | Dave Brubeck | Basin Street WCBS CBS NYC Feb 1956 |
Love Walked In | Dave Brubeck | Basin Street WCBS CBS NYC Feb 1956 |