04 October 2022
(Until 04 October)Lenny Herman and 1950s Lounge Music
Greg Poppleton's Phantom Dancer swing jazz radio show
Lenny Herman accordianist and xylophonist led what was dubbed ‘The Mightiest Little Band in the Land’ in the 1940s and 50s. For fans of 1950s Lounge Music albums, here’s one of those bent easy listening orchestras live on 1948 and 1957 radio as this week’s Phantom Dancer feature artist.
The Phantom Dancer is your weekly non-stop mix of swing and jazz from live 1920s-60s radio and TV every week.
LISTEN to this week’s Phantom Dancer mix (online after 2pm AEST, Tuesday 4 October) and two years of Phantom Dancer mixes online at, at https://2ser.com/phantom-dancer/
LENNY
Lenny was a ‘best-seller on stereophonic tape’ (he released songs on reel-to-reel tape) and a band with bright party-like LP album covers from the 1950s beloved of record bin hunters with a penchant for the staidly wacky.
The Lenny Herman Quintet that you’ll hear on this week’s Phantom Dancer airchecks:
Lenny Herman – Accordion, Vibraphone, And Vocals
Alan Shurr – Tenor Saxophone, Clarinet, Bass Clarinet, And Vocals
Charles Shaw – Piano, Celeste, And Organ
Earl “Gumpy” Comfort – Violin, String Bass, And Vocals
Stan Scott – Drums
Lenny Herman’s legacy has been dumped on from great heights by contemporary music reviewers such as Eugene Chadbourne who wrote in All-Music:
“Lenny Herman is sometimes described as a jazz bandleader of the ’40s and ’50s, yet his band bus was really more of a bandwagon, using the latter word in terms of a fad or flavor of the day.
He got in early on [sic], covering “Daddy’s Little Girl” in 1947, and not with the shroud that might have really been appropriate with this anthem of treacle. Alternate publications of the sheet music for this song featured photographs of artists who recorded it; the version with the Lennie Herman Quintet describes the group as “Latin-American.” Despite this stylistic designation the small combo was also featured on a recording of “Grandfather’s Clock” the year before.
Herman also took charge of much larger groups, building a reputation as a big-band leader that eventually eclipsed that of the quintet, if a word as mighty as “eclipsed” can be used to describe something more like a radar blip than a super nova.
He recorded orchestra sides such as “When You Fall in Love” for Decca and a nifty red vinyl 45 entitled “Mightiest Lil’ Band in the Land.” During the early ’50s Herman was on the front line of the new trends in commercial children’s music, waving a diaper like a flag of surrender.
He used the quintet to cut “Percy the Pale Faced Polar Bear” in 1951 and eventually had enough tracks for tots and tykes to tote up the early-’60s Family Album LP, also featuring singer Ginny Gibson. The 1957 Dance Party showcases Herman’s talents on both accordion and xylophone, the set list consisting mostly of Tin Pan Alley hits.”
The reviewer, Eugene Chadbourne, and his Electric Rake…
HERMAN
Lenny gets a fairer review in musicbio.org:
“Although generally uncelebrated during his career being a band head, Lenny Herman made a substantial contribution towards the dance band music of NY, USA, from the first 50s onwards.
Located in hotels like the Astor, Edison, Roosevelt, Waldorf-Astoria and New Yorker, his small band, frequently dubbed ‘The Mightiest Small Music group In The Property’, etched an absolute impression over the night time dancers of these establishments with music such as for example ‘No Foolin’’.
Led by Herman’s accordion playing, the music group, which hardly ever numbered a lot more than ten and sometimes significantly less than eight, also discovered engagements additional afield in Philadelphia (the Warwick Resort), Atlantic Town (the Straymore Resort), Virginia Seaside (the Cavalier Resort) and Dallas (the Baker Resort).
With the middle-60s the music group had moved completely towards the Lake Tahoe region, where the right now five or six solid ensemble gained its living playing to combined audiences in the resort hotels.”
So now enjoy Lenny Herman on this week’s Phantom Dancer in airchecks from 1948 and 1957…
4 OCTOBER PLAY LIST
Play List – The Phantom Dancer | ||
107.3 2SER Tuesday 4 October 2022 | ||
Set 1 | Tex Beneke | |
Moonlight Serenade (theme) + Uncle Remus | Tex Beneke and the Glenn Miller Orchestra (voc) Tex Beneke, Jenny O’Conner and the Mellowlarks | ‘March of Dimes’ Radio Transcription 1 Dec 1946 |
Falling Leaves | Tex Beneke and the Glenn Miller Orchestra | ‘March of Dimes’ Radio Transcription 1 Dec 1946 |
Somewhere in the Night | Tex Beneke and the Glenn Miller Orchestra (voc) Gary Stevens | ‘March of Dimes’ Radio Transcription 1 Dec 1946 |
Give Me Five Minutes More + Moonlight Serenade (theme) | Tex Beneke and the Glenn Miller Orchestra (voc) Tex Beneke | ‘March of Dimes’ Radio Transcription 1 Dec 1946 |
Set 2 | Your Hit Parade | |
Intro + I’m Gunna Love That Guy + It’s Gotta Be This or That | Joan Edwards | ‘Your Hit Parade’ AFRS Re-broadcast 27 Oct 1945 |
I’ll Buy That Dream | The Hit Paraders | ‘Your Hit Parade’ AFRS Re-broadcast 27 Oct 1945 |
On The Atcheson, Topeka and Santa Fe | Dick Todd | ‘Your Hit Parade’ AFRS Re-broadcast 27 Oct 1945 |
Set 3 | Latin Rhythms | |
My Shawl (theme) + In a Little Spanish Town | Xavier Cugat Orchestra | Roseland Ballroom WABC ABC NY 1958 |
Rhumba | Xavier Cugat Orchestra | Roseland Ballroom WABC ABC NY 1958 |
Besume | Xavier Cugat Orchestra | Roseland Ballroom WABC ABC NY 1958 |
Rhumba | Xavier Cugat Orchestra | Roseland Ballroom WABC ABC NY 1958 |
Set 4 | Lenny Herman | |
Cecilia | Lenny Herman Quintet | Golden Thread Room Hotel New Yorker WCBS CBS NYC 1957 |
Kisses Are Better Than Roses | Lenny Herman Quintet (voc) Alan Shurr | Golden Thread Room Hotel New Yorker WCBS CBS NYC 1957 |
Don’t Forbid Me | Lenny Herman Quintet (voc) The Hermanaires | Golden Thread Room Hotel New Yorker WCBS CBS NYC 1957 |
Noon Balloon to Rangoon + In Ol’ Kalua (theme) | Lenny Herman Quintet | Hotel Astor WNBC NBC NYC 25 Jun 1948 |
Set 5 | Western Swing | |
Does My Baby Love Me, Yes Sir! | Jimmie Revard and his Oklahoma Playboys | Comm Rec San Antonio TX 14 Sep 1937 |
Baby Won’t You Please Come Home | W. Lee O’Daniel (voc) Texas Rose | Comm Rec Dallas TX 15 May 1938 |
Sam the Old Accordian Man | Adolph Hofner and His Texans | Comm Rec Dallas TX 13 Feb 1940 |
Get Hot | W. Lee O’Daniel | Comm Rec San Antonio TX 21 Nov 1936 |
Set 6 | Tommy Dorsey | |
Swing Low Sweet Chariot | Tommy Dorsey Orchestra (voc) Bob Allen | Meadowbrook Ballroom Cedar Grove NJ 11 Feb 1941 |
I Dream of You | Tommy Dorsey Orchestra (voc) Bob Allen | ‘For the Record’ WEAF NBC Red NYC 17 Apr 1944 |
Always in My Heart | Tommy Dorsey Orchestra (voc) Frank Sinatra | ‘Raleigh Show’ Capitol Theatre WJSV CBS Washington DC 18 Aug 1942 |
Losers Weepers | Tommy Dorsey Orchestra | Palladium Ballroom KNX CBS LA 26 Nov 1940 |
Set 7 | Lester Young | |
Lullaby of Birdland (theme) + Three Little Words | Lester Young Quintet | Birdland WABC ABC NYC 5 Sep 1956 |
How High the Moon | Lester Young Jam Session (voc) Ella Fitzgerald | ‘Symphony Sid Show’ WMCA NYC 27 Nov 1948 |
Set 8 | Blues & Cool | |
Empty Bed Blues + Love My Baby + Improvised Blues + Theme | Johnny Otis Orchestra and Jubilee All-Stars (voc) Ivie Anderson + Joe Turner | ‘Jubilee’ AFRS Hollywood Oct 1945 |
I’ll Remember April | Dave Brubeck Quartet | Aircheck Jan 1954 |